Beyond the “Usual Suspects” once more (Podcast #19-021)

Most Duke Ellington tribute concerts and recordings rely on just a handful of his compositions (Mood Indigo, Satin Doll, In A Sentimental Mood, etc.). The Duke Ellington Society refers  to these songs as “the usual suspects.” While they are worthy … Continue reading



1959 holiday card


Most Duke Ellington tribute concerts and recordings rely on just a handful of his compositions (Mood Indigo, Satin Doll, In A Sentimental Mood, etc.). The Duke Ellington Society refers  to these songs as “the usual suspects.” While they are worthy of their status as standards, Ellington wrote thousands of compositions; there is plenty of his oeuvre that is ripe for exploration!


Despite having a major new work to  promote (Such Sweet Thunder), in this 1957 television appearance Ellington has to take time away from it in order to play a greatest hits medley (aka “The Usual Suspects”).




The recordings heard on this podcast episode:



highlightsAll Too Soon (CD: “Highlights of the Great 1940-1942” Avid EMSC1143)

Recorded 22 July 1940, New York City

Wallace Jones, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.


earl hinesAll Too Soon (CD: “Jazz Royalty: Earl Hines Plays Duke Ellington” Soul Note ‎SN 1170)

Recorded 18 March 1974, New York City

Earl Hines – piano.


early ellington rcaCotton Club Stomp (CD:  Early Ellington (1927 – 1934), Bluebird 6852-2-RB)

Recorded 3 May 1929, New York City

Arthur Whetsel, Cootie Williams, Freddie Jenkins – trumpet; Joe Nanton – trombone; Barney Bigard, Otto Hardwicke, Harry Carney – reeds;  Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums.


bug musicCotton Club Stomp (CD: “Bug Music” Nonesuch 79438-2)

Recorded May 1996 in New York City

Charles Lewis, James Zollar, Steve Bernstein –trumpet; Craig Harris – trombone; Don Byron, Steve Wilson, Robert DeBellis – reeds; Paul Meyers – banjo; Kenny Davis – bass; Pheeroan akLaff – drums.


traneTake the Coltrane (CD: “Duke Ellington & John Coltrane” MCA MCAD-39103)

Recorded 26 September 1962, New York City

John Coltrane – tenor sax; Duke Ellington – piano; Jimmy Garrison – bass; Elvin Jones – drums.


David Murray The HillTake the Coltrane (CD: “The Hill” MCA MCAD-39103)

Recorded 29 November 1986, New York City

David Murray – tenor sax; Richard Davis – bass; Joe Chambers – drums.


220px-Midnight_in_Paris_(album)Paris Blues (CD: “Midnight in Paris” Sony Music COL4684032)

Recorded 30 January 1962, New York City

Bill Berry, Harold “Shorty” Baker, Cat Anderson, Ray Nance  – trumpet; Lawrence Brown, Leon Cox, Chuck Connors – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Aaron Bell – bass; Sam Woodyard – drums.


steve lacy gil evansParis Blues (CD: “Paris Blues” Sunnyside Records SSC 3505,)

Recorded 30 November/1 December 1987, Paris

Steve Lacy – soprano sax; Gil Evans – electric piano.


centennial editionAcht O’Clock Rock (CD: “Duke Ellington, The Centennial Edition” RCA Victor ‎– 09026-63386-2)

Recorded 15 November 1967, San Francisco

Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington – trumpet; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Jeff Castleman – bass; Sam Woodyard – drums.


red hot indigo

Acht O’Clock Rock (CD: “Red Hot + Indigo” Kinetic Records RHO-13IND)

Recorded

Steven Bernstein – trumpet; Don Byron – clarinet; Art Baron – trombone; John Medeski – piano; Chris Wood – bass; Billy Martin – drums.


jingle bell jazzJingle Bells (CD: “Jingle Bell Jazz” Columbia CK 40166)

Recorded 21 June 1962, New York City

Bill Berry, Roy Burrowes, Cat Anderson, Ray Nance  – trumpet; Lawrence Brown, Britt Woodman, Chuck Connors – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Aaron Bell – bass; Sam Woodyard – drums.


recollections2Auld Lang Syne (CD: “Recollections of the Big Band Era”  Atlantic Jazz  7 90043-2)

Recorded 29 December 1962, New York City

Cootie Williams, Roy Burrowes, Cat Anderson, Ray Nance  – trumpet; Lawrence Brown, Britt Woodman, Chuck Connors – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Ernie Shepard – bass; Sam Woodyard – drums.



 

Reflections from the Avant Garde (Podcast #17-014)

Sun Ra, Cecil Taylor, Archie Shepp and others interpret Ellington’s music. Continue reading



“Now, when I was considered avant garde, Duke Ellington at that time was avant garde to me — and I’m sure Barry Ulanov would say the same thing, although he never exactly said Duke was avant garde; but Duke was, because his music was more modern than most things going on.”

Charles Mingus



SUNRA

Sun Ra and his Arkestra at the Coach House in San Juan Capistrano, CA 1985 (photo by Steve Bowie)





The recordings heard on this podcast episode:



montr

Take the “A” Train (CD: “Live at Montreux” Inner City )

Recorded 9 July 1976 in Montreux, Switzerland

Sun Ra – piano; Ahmed Abdullah, Al Evans, Chris Capers – trumpet; Vincent Chancey: – french horn; Marshall Allen, John Gilmore, Pat Patrick, James “Ham” Jackson, Elo Omo, Danny Davis – reeds; Tony Bunn, Hayes Burnett – bass; Clifford Jarvis, Larry Bright, Stanley Morgan – drums and percussion.


 

AEC

Creole Love Call (CD:”Ancient to the Future, Volume 1″ DIW 804)

Recorded 17-19 March 1987 in Brooklyn, NY

Lester Bowie – trumpet; Roscoe Mitchell, Joseph Jarman – reeds; Malachi Favors – bass; Famadou Don Moye – drums.


WSQ

Come Sunday (CD: “The World Saxophone Quartet Plays Duke Ellington” Nonesuch
79137)

Recorded April 1986 in New York City

Julius Hemphill, Oliver Lake – alto sax; David Murray – tenor sax;  Hamiet Bluiett – baritone sax.


Highlights

Jumpin’ Punkins (CD: “Highlights of the Great 1940-1942 Band” Avid AMSC1143)

Recorded 5 June 1941, Los Angeles

Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.


cecil taylor

Jumpin’ Punkins (CD: “The Complete Candid Recordings of Cecil Taylor and Buell Neidlinger” Mosaic 127)

Recorded 9 January 1961 in New York City

Cecil Taylor – piano; Clark Terry – trumpet; Roswell Rudd – trombone; Steve Lacy – soprano sax; Archie Shepp – tenor sax; Charles Davis – baritone sax; Buell Neidlinger – bass; Billy Higgins – drums.


archie shepp

Prelude to a Kiss (CD: “Day Dream” Denon Jazz DC-8547)

Recorded 3 June 1977 in New York City

Archie Shepp – tenor sax; Walter Davis – piano; Earl May – bass; Philly Joe Jones – drums.


Steve Lacy

Ko Ko (CD: “Monk’s Dream” Universal / Verve E5430902)

Recorded 21-22 June 1999 in Paris

Steve Lacy – soprano sax; Roswell Rudd – trombone; Jean-Jacques Avenel – bass; John Betsch – drums.


foreground

Summertime (CD: “Piano in the Foreground” Columbia / Legacy  87042)

Recorded 1 March 1961 in Los Angeles

Duke Ellington – piano; Aaron Bell – bass; Sam Woodyard – drums.


0000120517

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.

Diminuendo in Blue and Crescendo in Blue (Podcast #17-002)

Duke Ellington’s career is given a boost by the 1956 Newport Jazz Festival by a spirited performance of
a pair of vintage compositions. Continue reading

 

“Nineteen fifty-six was an important year. The performance of Diminuendo and Crescendo in Blue (originally written in 1937) at the Newport Jazz Festival, with an epic ride by Paul Gonsalves on tenor saxophone, brought us renewed attention and the cover of Time magazine. It was another of those major intersections in my career…

Paul Gonsalves, Jimmy Woode, and Sam Woodyard lifted that stone-cold audience up to a fiery, frenzied, screeching, dancing climax that was never to be forgotten. One lovely society matron broke through her veneer of discretion, and jumped her thing for all twenty-seven choruses, adding a cherry and whipped cream topping to our sundae morning.” – Duke Ellington, Music Is My Mistress

Transcription of Ray Nance’s trumpet solo on this version of Take the “A” Train by Jeff Helgesen



Diminuendo – Instruction in music notation meaning to get softer

Crescendo – Instruction in music notation meaning to get louder



Paul Gonsalves in action at the 1956 Newport Jazz Festival:

5_-GONSALVES-NEWPORT-19561



The first page of the score for “Diminuendo in Blue” in Ellington’s own hand:

dim1



An excellent analysis of these two pieces can by found on Ethan Iverson’s blog “Do the Math,” written by guest writer Darcy James Argue

For example, he provides a form breakdown of “Diminuendo:”

[A] CHORUS 1: Blues in Eb (12 bars)

[B] CHORUS 2: Blues in Eb (10 bars)

[C] FALSE START+INTERLUDE: FALSE START (Eb) begins same as CHORUS 2 (4 bars) then INTERLUDE on VII pedal (2 bars)

[D] CHORUS 3: Blues in G (12 bars)

[E] CHORUS 4: Blues in G (12 bars)

[F] CHORUS 5: Blues in C (12 bars)

[G] CHORUS 6: Blues in F minor (12 bars)

[H] CHORUS 7: Blues in Db (12 bars)

[I] CHORUS 8: Blues in Db (12 bars)

[J] CHORUS 9: Blues in Db (12 bars)

[K] CHORUS 10: Blues in Db (12 bars)

[L] “STAGE FADE” CODA: Db7#9 vamp (6 bars)



The near riot at the 1956 Newport Jazz Festival resulted in Duke Ellington landing on the cover of Time Magazine:

1101560820_400



Backstory In Blue, Ellington at Newport ’56, by John Fass Morton (Rutgers University Press)

backstory in blue



A 1958 performance of Diminuendo In Blue and Crescendo In Blue from a Netherlands concert:



More from the same concert can be found on the DVD, Duke Ellington Live in ’58 from Jazz Icons 2.119001

jazz icons dvd



Eventually, Crescendo In Blue was dropped and replaced with Blow by Blow:



The recordings heard on this podcast episode:



EllingtonAtNewport

Take the “A” Train (CD: “Ellington at Newport 1956 (Complete)” Columbia Legacy C2K 64932)

Recorded 07 July, 1956 Live at The Newport Jazz Festival Newport, RI

Cat Anderson, Clark Terry, Willie Cook – trumpet; Ray Nance – cornet; Britt Woodman, Quentin Jackson, John Sanders – trombone; Johnny Hodges, Russell Procope, Paul Gonsalves, Jimmy Hamilton, Harry Carney – reeds; Duke Ellington – piano; Jimmy Woode – bass; Sam Woodyard – drums.

 




elling_duke_complete1_101b

Diminuendo In Blue/Crescendo In Blue (CD: “The Complete 1932-1940 Brunswick, Columbia, Master Recordings of Duke Ellington and his Famous Orchestra,” Mosaic Records #248)

Recorded 20 September 1937, New York City

Arthur Whetsel, Cootie Williams, Freddie Jenkins – trumpets; Rex Stewart – cornet , Lawrence Brown, Joe Nanton, Juan Tizol – trombones; Johnny Hodges, Otto Hardwicke, Barney Bigard, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Billy Taylor – bass; Sonny Greer – drums.

Diminuendo In Blue/Crescendo In Blue can also be found on The Essential Duke Ellington (Columbia Legacy)

ess ellington



ellington hollywd bowl

Diminuendo In Blue / Transbluecency / Crescendo In Blue (LP: “The Hollywood Bowl Concert” Unique Jazz UJ-001)

Recorded 31 August 1947 Live at the Hollywood Bowl, Los Angeles

Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker – trumpets; Ray Nance – trumpet, violin; Lawrence Brown, Claude Jones, Tyree Glenn – trombones; Jimmy Hamilton, Russell Procope, Johnny Hodges, Al Sears, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Oscar Pettiford – bass; Sonny Greer – drums; Kay Davis – vocal. 


EllingtonAtNewport

Diminuendo In Blue and Crescendo In Blue (CD: “Ellington at Newport 1956 (Complete)” Columbia Legacy C2K 64932)

Recorded 07 July, 1956 Live at The Newport Jazz Festival Newport, RI

Cat Anderson, Clark Terry, Willie Cook – trumpet; Ray Nance – cornet; Britt Woodman, Quentin Jackson, John Sanders – trombone; Johnny Hodges, Russell Procope, Paul Gonsalves, Jimmy Hamilton, Harry Carney – reeds; Duke Ellington – piano; Jimmy Woode – bass; Sam Woodyard – drums.



 David Murray Big Band

Paul Gonsalves (CD: “David Murray Big Band, Conducted by Lawrence “Butch” Morris” Disk Union DIW 851)

Recorded 05 March, 1991 in New York City

Hugh Ragin, Rasul Saddik, Graham Haynes, James Zollar – trumpets; Craig Harris, Frank Lacy – trombones; Vincent Chancey – french horn; James Spaulding, John Purcell, Patience Higgins, Don Byron, David Murray – saxes; Sonelius Smith – piano, Fred Hopkins – bass, Tani Tabbal – drums, Joel



0000120517

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.