In this final post of 2020, we pay tribute to the jazz greats who passed away, during this very eventful year. Included is a playlist of some of their memorable performances.
We already know that 2020 was an exceptionally cruel year. And its effect on the jazz world was especially painful. With many of our music’s greats already at an advanced age (albeit vibrantly, for many) and with a brutal virus spreading around, that hits the elderly and those with underlying conditions, far harder than other segments of the population, we knew it could be a tough year for our heroes. Sadly, at least a quarter of those on our list are said to have been suffering from Covid-19 related symptoms, at the time of their death.
So let us pay tribute to those in the jazz world that we lost in 2020. This is not an exhaustive list and I mean no disrespect or slight to the memory of anyone, who was omitted.
Tony Allen – Drummer/Percussionist – Musical partner of Fela Kuti for many years. Considered to be the father of the “Afrobeat” style of drumming
Ronald “Khalis” Bell – Saxophonist. Founding member of Kool and the Gang
Cándido Camero – Cuban percussionist. A pioneer of Afro-Cuban music
Jeff Clayton – Saxophonist. Co-leader of the Clayton Brothers (with brother, John). Co-leader of the Clayton-Hamilton Jazz Orchestra (with Jeff Hamilton)
Jimmy Cobb – Master Drummer. Known for his work with Miles Davis (Kind of Blue) and Wes Montgomery (Smokin’ at the Half Note)
Freddy Cole – Vocalist and Pianist. Younger brother of Nat “King Cole. An excellent vocal stylist in his own right.
Richie Cole – Saxophonist. Known for “Alto Madness” and his work with Eddie Jefferson and The Manhattan Transfer
Stanley Cowell – Pianist and Record Company Founder. Excellent, if underrated jazz pianist. Known for his work with the Heath Brothers and co-founding Strata East Records
Stanley Crouch – Writer and Critic – Wrote for Jazz Times magazine, for many years. Associated with Wynton Marsalis. Sometimes controversial columnist and author
Manu Dibango – Cameroonian Saxophonist. Best known for his 1972 soul-jazz smash hit, “Soul Makossa”
Andy González – Bassist. He successfully bridged the Afro-Cuban and jazz worlds. Co-founded the legendary Fort Apache Band (with brother Andy) and Libré (with Manny Oquendo)
Henry Grimes – Bassist. One of the leading free-jazz bassists during the 60’s. Returned to a successful career in the 21st Century.
Onaje Allan Gumbs – Pianist/Keyboardist. Worked extensively with Woody Shaw, Phyllis Hyman, and Ronald Shannon Jackson. Also recorded some fine contemporary jazz albums.
Jimmy Heath – Saxophonist/Flutist. Co-founder of the Heath Brothers (with brothers Percy and Albert). Played with everyone from Miles to Hargrove. Exceptional composer/arranger.
Frank Kimbrough – Pianist. Outstanding N.C. born post-bop pianist. Known for his work with Joe Locke and the Maria Schneider Jazz Orchestra.
Lee Konitz – Saxophonist. A leading influencer for many decades, in the cool-jazz, bebop and avant-garde idioms. Played on Miles Davis’ “Birth of the Cool”.
Mike Longo – Pianist/Keyboardist. Worked with Dizzy Gillespie for years, as well as leading his own group, the Mike Longo trio.
Johnny Mandel – Composer and Arranger. Winner of multiple Oscars and Grammy awards. Composed “Theme from MASH”, “The Shadow of Your Smile”, “Close Enough for Love”.
Ellis Marsalis – Pianist and Educator. A major influence on many on the New Orleans jazz scene. The father of Branford, Wynton, Delfeayo and Jason Marsalis.
Lyle Mays – Keyboardist and Composer. Longtime musical partner of guitarist Pat Metheny.
Jymie Merritt – Bassist. Most notable for being the bass player with Art Blakey and the Jazz Messengers, from 1957 – 1962, one of their most influential periods.
Gary Peacock – Bassist. Well respected and prolifically recorded leader and sideman. Worked notably with Keith Jarrett, Bill Evans, Albert Ayler, and Paul Bley.
Bucky Pizzarelli – Guitarist. Master of the seven-string guitar. Prolific artist who worked with everyone, from Benny Goodman to Anita Baker. Father of John and Martin Pizzarelli.
Charli Persip – Drummer. In addition to leading his own band, he worked notably with Dizzy Gillespie’s bands of the late 50’s and early 60’s, as well as with Red Garland.
Claudio Roditi – Brazilian Jazz Trumpeter. Worked with Paquito D’Rivera and Dizzy’s United Nations Big Band, in addition to his own impressive career as a leader.
Wallace Roney – Trumpeter. Gained immense popularity in the 90’s, after working alongside Miles Davis and receiving the legend’s blessing. Former husband of the late Geri Allen.
Annie Ross – Vocalist and Actress. The “Ross” in Lambert, Hendricks and Ross, the most influential jazz vocal group of all time. Also, an excellent vocalist, in her own right.
Ira Sullivan – Trumpeter/Flugelhornist/Saxophonist/Composer. Active from the 1950’s – 2010’s. Remembered mostly for his work alongside trumpeter Red Rodney.
McCoy Tyner – Pianist. One of the greatest and most influential pianists of the last four decades of the 20th Century. Pianist in the classic John Coltrane Quartet. A legend.
Eugene Wright – Bassist – “The Senator”. Known primarily for his role as the bass player in the legendary Dave Brubeck Quartet. Was the last surviving member of that group.
We have also included below, a super sized Spotify playlist, that includes a sampling of the music of many of those that we honor. In the case of Jymie Merritt, the best representation of his artistry came from some of his work in the group that he is most closely associated with; the Jazz Messengers. We’ve included “Moanin'”, their signature performance. To hear Merritt at his best, skip to 7:00, near the end of the tune, when he digs into a hard groovin’ bass statement, accompanied only by Blakey and Timmons comp. Sweet!
Enjoy the list and honor the music of those who have joined the ancestors, then remember, that the music can only continue to survive and thrive, if you give love and attention to those who can still hear you give it, our living artists. Let’s strive in 2021, to support those who still play this music despite everything that is against them. Now more than ever, they need to hear your love and support; especially in the legal purchase of their music.
A complete list of CurtJazz’s 30 favorite jazz albums of 2020. Includes a Spotify playlist sampler
In the three previous posts, I’ve listed and discussed my favorite jazz albums of 2020. Bright musical oases, in this otherwise miserable year.
In this post, we bring all 30 of them together, in one place. In each album title is embedded a link to the album’s page on Amazon. In these extraordinarily difficult times, we encourage you to purchase these albums, if there’s something that you like. Streaming is nice but the financial support that it provides to the artists, is laughable. So we provide the Amazon links as a first alternative. However, many of the artists also have their own websites, through which you can purchase the music directly from them. If you are so inclined, I encourage you to go that route. It can provide maximum remuneration for the artists that you love. We will also feature tracks from each of these albums, throughout January 2021, on CurtJazz Radio. Click HERE to listen now.
We’ve also created another Spotify playlist, featuring selections from a dozen of the 30 albums on the list, to give those of you who have not yet visited the prior posts, an opportunity to sample the artistry represented here. I can’t say it enough. Streaming is nice but buying is better.
Here are my 30 for ’20, in alphabetical order, by artist name:
Our second set of ten of the best jazz albums of 2020, includes a brilliant final musical statement from a true jazz great, a trumpet master, who is still creating incredible music, in his eighth decade; an exciting South African pianist, who is setting the jazz world aflame and a sparkling tribute to some legendary ancestors by a few modern masters.
Our second set of ten discs, includes a brilliant final musical statement from a true jazz great, a trumpet master, who is still creating incredible music, in his eighth decade; an exciting South African pianist, who is setting the jazz world aflame and a sparkling tribute to some legendary ancestors by a few modern masters. Let’s dig in.
Once again, the albums are in alphabetical order, by artist name. We will also try hard again, to adhere to the three-sentence rule (but don’t bet on it!).
Jeff Hamilton is a drummer of impeccable swing and unerring sensibility. He is one of those cats who elevates any of his bandmates by his mere presence behind the kit; not that his mates in this trio, bassist Jon Hamar and pianist Tamir Hendelman, need any help. On this sublime date, which includes a nice mix of originals and standards that have not worn out their welcome, the Hamilton trio produces an album fondly reminiscent of the Oscar Peterson trio, in their prime days. That group also had a master of taste on the skins, the late, great Ed Thigpen. An album absolutely worth your time.
Jimmy Heath, a saxophonist whose stellar career included being on the stand with virtually every jazz great, from Charlie Parker through today’s up and coming stars, who learned at his feet, passed away last January, at age 93. He left us, as a final gift, Love Letter, an achingly beautiful album of ballads that he worked on, until just weeks before his death. With guest appearances by Wynton Marsalis, Cecile McLorin Salvant and Gregory Porter and a stellar group of sidemen, that included Kenny Barron on piano, Russell Malone on guitar and the wonderful and woefully under recorded Monte Croft, on vibes, this a fitting valedictory, to a jazz life, well-lived.
Dr. Eddie Henderson turned 80 years old, last October. From the way he looks on the cover of Shuffle and Deal and the way he sounds on the music inside, it is clear, that the good doctor, has found the Fountain of Youth. His trumpet attack is as blistering and energetic as it was when he was first heard, in Herbie Hancock’s Mwandishi band, in the early ‘70’s. With Kenny Barron and “Big Chief” Donald Harrison, alongside him as composers and bandmates, Dr. Henderson, has produced his second straight brilliant album for Smoke Sessions records. Age ain’t nothing but a number, doctor. Keep going for as long as you’ve got masterful music, in your soul.
Reality Check is pianist Theo Hill’s third album for PosiTone Records. While the prior two were good piano trio dates, Mr. Hill’s decision to expand to a quartet, with rising star vibraphonist Joel Ross, may have been what was needed to move the group from good to great. The instrumentation will draw natural comparisons, to the MJQ but the young members of this group are far more forward thinking and dare I say, modern, in their approach. And when Mr. Hill switches to Rhodes, he elevates this fine group, even higher.
Christopher Hollyday’s comeback, has been one of the feel-good stories in jazz, in the last few years. Signed by Novus/RCA, as part of the jazz young-lions craze of the early ‘90’s, while still in his teens, the young alto saxophonist was earnest but frankly, not yet ready for prime-time. When his career foundered in 1993, Mr. Hollyday returned to teaching and studying, becoming a highly respected educator in San Diego. He made his first record in 25 years, in 2018, the critically acclaimed Telepathy. This year, he followed up with Dialogue, every bit as good as its immediate predecessor. Itcrackles with the energy and self-assurance of a gifted, mature artist. Christopher Hollyday is back and better than ever. Hopefully, this time, it is to stay.
From the moment that I first heard Nduduzo Makhathini’s Blue Note debut, I knew that I had some homework to do. A pianist, Mr. Makhathini has been a force on the South African jazz scene for several years. Influenced by Americans such as McCoy Tyner and Andrew Hill, as well as by his countrymen, Abdullah Ibrahim and Bheki Mseleku, he has taken the essence of his homeland’s music and melded it with American jazz, in a way that I’ve heard others attempt but no other has succeeded on such a high artistic level. His was one of the truly fresh and exciting voices that I heard in jazz this year and I look forward to hearing more.
Since switching to the vibraphone from the drums, a few years back, it has been fascinating to watch the musical growth of the youngest musical Marsalis brother. On this set, recorded live three years ago, at the famed Little Gems Saloon, Marsalis is more relaxed and in the pocket, than I’ve ever heard him on this instrument. Maybe it’s because he is working with his regular working group or perhaps it is because the set consists of all Jason Marsalis originals. Whatever the reason, he has stepped up his vibraphone artistry, to the next level and this is a very high-quality album.
If you’re like me and a fan of the two classic recordings that Jimmy Smith and Wes Montgomery made in 1966, you know every note of those gems by heart. And like me, when you heard of this project, you wondered what could McBride’s Big Band bring to the table, on a tribute to those albums (and their arranger, Oliver Nelson), that could be fresh and new. For starters, organist Joey DeFrancesco and guitarist Mark Whitfield, are both season veterans, who greatly admire the legends that they are standing in for but smart (and gifted) enough, not to be reduced to imitation. Second, the song selection includes only four tracks from the original two albums and finally, the arrangers only used Oliver Nelson’s charts on the tunes not on the Jimmy and Wes originals. The result is one hell of a good album. Jimmy, Wes, and Oliver would be pleased.
Cornetist Ron Miles’ prior album I Am a Man, brought him near universal acclaim, in the world of jazz and an opportunity to record for Blue Note Records. While Rainbow Sign employs the same musicians as its predecessor, for me, the writing went much deeper and the arrangements were denser. A couple of the songs even swung, in a relatively traditional sense. Mr. Miles composed the music for this album, while caring for his ailing father, up until the time of dad’s passing. That difficult situation may have infused Miles’ writing process. Whether it did or not, the music here, is the best of Ron Miles’ career.
On his second album for Marc Free’s PosiTone Records, trumpeter Farnell Newton has a decidedly groovier sound, precipitated by the presence of organist Brian Charrette. But this is not an all-out Earland/McDuff soul-jazz fest. In fact, this date sounds to these ears, like a more soulful version of Unity, the classic Larry Young album. Charrette is kept grounded by the hard driving but traditional drumming of the great Rudy Royston, while Newton and saxophonist Brandon Wright are flying high. The tension between the conventional and the greasy is palpable, throughout the project and it is what makes the music special.
A reminder, if you are interested in purchasing any of the music that we discuss in these posts, clicking on the album title, will take you to the album’s page on Amazon.com. There is also a Spotify playlist below, which includes a track from each of the albums discussed here, for you to sample. But please don’t just stream. During these tough times, these musicians can use your support more than ever, so if you like it, buy it.
Our next post will feature the final ten of our 30 for ’20. It will be up, tomorrow.
Thoughts and opinions are welcome, as always, in the comments.