Portrait of Joya Sherrill (Podcast #20-006)

Joya Sherrill was a featured vocalist with the Ellington orchestra from 1944 to 1946, but returned periodically in subsequent years. One of Ellington’s best vocalists, she deserves wider recognition. Continue reading


“[Joya] did such a good job on “I’m Beginning to See the Light” that we have been playing it ever since. It is a tribute to her diction and articulation, too, that when I ask them to join in singing it with us, audiences all over the world seem to know the words.”

 – Duke Ellington, Music is my Mistress


Joya2

Joya Sherrill

[20 August 1924 – 28 June 2010]


Joya metronome

Joya Sherrill and Duke Ellington on the cover of the November 1945 issue of Metronome magazine. (With thanks to David Fletcher)


Joya studio

November 1945 issue of Metronome magazine. (With thanks to David Fletcher)



 

Audio, but no video, of Duke Ellington’s 30 August 1970 appearance on Joya’s Fun School  (Thanks, Mike!)



The recordings heard on this podcast episode:



 

Black brown and beige2

Black, Brown & Beige (CD: Bluebird 6641-2-RB)

 

I’m Beginning to See the Light

(All of a Sudden) My Heart Sings

Kissing Bug

Everything But You

Tell Ya What I’m Gonna Do

The Wonder of You


Capitol Jazz Sessions

Blue Jay (CD: “Classic Capitol Jazz Sessions” Mosaic Records MD12-170)

Recorded 26 January 1945, Los Angeles

Joya Sherrill – vocal; Rex Stewart – cornet; Lawrence Brown – trombone; Al Sears – tenor sax; Harry Carney – baritone sax; Eddie Heywood – piano; Ulysses Livingston – guitar; Jr. Raglin – bass; Keg Purnell – drums.


My People

The Blues (CD: “My People – The Complete Show” Storyville Records 1018430)

Recorded 20 August 1963, Chicago

Joya Sherrill – vocal; Bill Berry, Ziggy Harrell, Nat Woodard, Ray Nance – trumpet; Britt Woodman, Booty Wood, John Sanders – trombone; Russell Procope, Rudy Powell, Harold Ashby, Pete Clark, Bob Freedman – reeds; Billy Strayhorn – piano; Joe Benjamin – bass; Louie Bellson – drums; Juan Amalbert – conga.


joya sings duke

Joya Sherrill Sings Duke (CD: Verve 547 266-2)

Mood Indigo/Kissing Bug

Recorded 12 January 1965, Chicago

Joya Sherrill – vocal; Cootie Williams – trumpet; Johnny Hodges – alto sax; Ernie Harper – piano; John Lamb – bass; Sam Woodyard – drums.

A Flower Is A Lovesome Thing/Day Dream/I’m Beginning to See the Light

Recorded 20 January 1965, New York City

Joya Sherrill – vocal; Ray Nance – violin, cornet; Billy Strayhorn – piano; Joe Benjamin – bass; Shep Shepherd – drums.


— Our closing music —-

0000120517It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.

 

Portrait of Rex Stewart, Part II (Podcast #20-002)

Rex Stewart played cornet in the Ellington and from 1934-45. Part II of a look at Stewart’s work with the band and the years beyond. Continue reading

“In the Ellington band, Stewart quickly blossomed into a major jazz soloist with a wide range of style and technique. He was a fine melodist, could improvise with a Beiderbecke-like grace (he was a great admirer of Bix’s playing), provide sharply crackling muted choruses of immense drive, or play open solos in a uniquely jaunty manner. Rex also became adept at the plunger-muted growl style which was, by the time he joined, a tradition in the Ellington orchestra. Most importantly, he developed a surprisingly accurate and elaborate manner of playing with the valves of his cornet only half-depressed.”

– Eddie Lambert, Duke Ellington, A Listener’s Guide


Rex Stewart Autograph


 

 

 

Here’s a 1966 video Rex Stewart performing “St. Louis Blues” in Switzerland



The recordings heard on this podcast episode:



Duke-at-Fargo-1

Chatter Box (CD: “Fargo, ND, November 7, 1940” Vintage Jazz Classics VJC-1019/20-2)

Recorded 7 November 1940 at The Crystal Ballroom in Fargo, North Dakota

Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol -trombone; Barney Bigard, Johnny Hodges, Otto  Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.


fabulousZaza (CD: “The Fabulous Ellingtonians” Mercury 830 926-2)

Recorded 5 June 1944, New York City

Rex Stewart – cornet; Lawrence Brown – trombone; Tab Smith – alto sax; Harry Carney –baritone sax; Johnny Guarnieri – piano; Brick Fleagle – guitar, arranger; Cozy Cole – drums.


circle vol 1Frantic Fantasy (aka Prairie Fantasy) (CD: “World Broadcasting Series, Volume 1” Circle ‎ CCD-101)

Recorded 8 November 1943, New York City

Wallace Jones, Rex Stewart, Dizzy Gillespie,Taft Jordan – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Jimmy Hamilton, Johnny Hodges, Otto Hardwicke, Skippy Williams, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Wilson Myers – bass; Sonny Greer – drums.


R-10842846-1505204854-3500.jpegBlue Skies (CD: “World Broadcasting Series, Volume 4” Circle ‎ CCD-104)

Recorded 3 January 1945, New York City

Shelton Hemphill,  Rex Stewart, Taft Jordan, Cat Anderson, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Claude Jones – trombone; Jimmy Hamilton, Otto Hardwicke, Johnny Hodges, Al Sears, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Junior Raglin – bass;  Sonny Greer – drums.


rex on his ownB.O. Blues (CD: “Rex Stewart On His Own” JDC Records JDC 70179240)

Recorded 8 February 1946

Rex Stewart – cornet, vocal; Stafford Simon – trumpet; Sandy Williams – trombone; Pete Clark – tenor sax; Mike Colucchio – piano; Wilson Myers – bass, vocals; Bazeley “Bay” Perry – drums.


newportC Jam Blues (LP: Various Artists, “Newport Jazz Festival Live (Unreleased Highlights from 1956, 1958, 1963”) Columbia C2 38262)

Recorded 4 July 1958 live at The Newport Jazz Festival

Cootie Williams – trumpet; Rex Stewart – cornet; Tyree Glenn – trombone; Hilton Jefferson – alto sax; Ben Webster – tenor sax; Billy Strayhorn – piano; Oscar Pettiford – bass; Sonny Greer – drums.


Big ReunionOne Hundred Years from today (LP: “The Big Reunion” Jazz Greats JG-624)

Recorded


Big ChallengeI Knew You When (LP: “Cootie & Rex, The Big Challenge” Jazz Greats JG-602)

Recorded 7 May 1957, New York City

Rex Stewart – cornet; Cootie Williams – trumpet; Lawrence Brown, J. C. Higginbotham – trombone; Coleman Hawkins, Bud Freeman – tenor sax; Hank Jones – piano; Billy Bauer – guitar; Milt Hinton – bass; Gus Johnson – drums.


Porgy and Bess revisitedIt Ain’t Necessarily So (LP: “Stewart-Williams & Co. – Porgy and Bess Revisited” Disques Swing SW-8414)

Recorded late 1958, New York City

Cootie Williams (“Porgy”) – trumpet; Rex Stewart (“Sportin’ Life”) – cornet; Lawrence Brown (“Serena” and “Clara”) – trombone; Hilton Jefferson (“Bess”) – alto sax; Pinky Williams (“Jake”) – baritone sax; Bernie Glow, Joe Wilder, Ernie Royal, Al Derisi – trumpet; Urbie Green, Eddie Bert, Sonny Russo – trombone; Sid Cooper, Walt Levinsky, Al Klink, Boomie Richman – reeds; Buddy Weed – piano; Barry Galbraith – guitar; Milt Hinton – bass; Don Lamond – drums; plus string section.


RedheadMy Girl is Just Enough for Me (LP: “Redhead” Design Records ‎– SS-42)

Recorded

Rex Stewart – cornet; Joe Venuto – marimba; Bucky Pizzarelli – guitar; Leonard Gaskin – bass; Mousey Alexander – drums.


Chatter JazzLet’s Call the Whole Thing Off (LP: “Chatter Jazz, The Talkative Horns of Rex Stewart & Dickie Wells” RCA Victor LSP-2024)

Recorded

Rex Stewart – cornet; Dickie Wells – trombone; John  Bunch – piano; Leonard Gaskin – bass; Charlie Masterpaolo – drums.


Rex Stewart Baden 1966St. Louis Blues/Happy Go Lucky Local (CD: “Rex Stewart & the Henry Chaix Orchestra ‎– Baden 1966 and Montreux 1971” Sackville Recordings ‎– SKCD-2061)

Recorded 12 June 1966 in Baden, Switzerland

Rex Stewart – cornet, vocal; Jo Gagliardi – trumpet; André Faist – trombone; Roger Zufferey – alto sax; Michel Pilet – tenor sax; Henri Chaix – piano; Alain Du Bois – guitar; Georges Furrer – bass; Romano Cavicchiolo – drums.


— Our closing music —-

0000120517It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.



 

Portrait of Rex Stewart, Part I (Podcast #20-001)

Rex Stewart played cornet in the Ellington and from 1934-45. Part I of a look at Stewart’s work with the band. Continue reading

“…[H]e was an exciting player who made a big contribution during the years he was with us –  1934-45. He was extremely versatile and we made use of his virtuosity on “Trumpet in Spades” and “Boy Meets Horn.” His half-valved effects on the latter have never been forgotten, but he should not be judged only by demonstrations of that kind.”

– Duke Ellington, Music Is My Mistress



Boy meets horn

Boy Meets Horn, the autobiography of Rex Stewart




Morning Glory 1Morning Glory 2

This transcription of Rex Stewart’s cornet solo on Morning Glory is from “Cootie Williams, Rex Stewart, and Ray Nance: Duke Ellington’s trumpet soloists 1940-1942”
by Bryan Wendell Bennet



The recordings heard on this podcast episode:



Fletcher Henderson

The Stampede (CD: “The Fletcher Henderson Story: A Study In Frustration” Essential Jazz Classics ‎– EJC55511)

Rec 14 May 1926,

Russell Smith, Joe Smith, Rex Stewart – trumpet; Benny Morton – trombone; Don Redman, Buster Bailey, Coleman Hawkins – reeds, Fletcher Henderson – piano; Charlie Dixon – banjo; Ralph Escudero – tuba; Kaiser Marshall – drums.


 

elling_duke_complete1_101b

(CD: “The Complete 1933-1940 Brunswick, Columbia and Master Recordings of Duke Ellington and his Famous Orchestra” Mosaic Records #248)

Trumpet In Spades

Recorded 17 July 1936, New York City

Arthur Whetsel, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Pete Clark, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Hayes Alvis – bass; Sonny Greer – drums.

Boy Meets Horn 

Recorded 2 September 1938, New York City

Wallace Jones, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Billy Taylor – bass; Sonny Greer – drums.



small groupsSugar Hill Shim-Sham/Tea And Trumpets
(CD: ”The Complete 1936-1940 Variety, Vocalion and Okeh Small Group Sessions” Mosaic Records #235)

Recorded 7 July 1937, New York City

Rex Stewart, Freddie Jenkins – trumpet; Johnny Hodges – alto sax; Harry Carney – baritone sax; Duke Ellington – piano; Brick Fleagle – guitar; Hayes Alvis – bass; Jack Maisel – drums.


centennial editionFat Stuff Serenade (CD: “Duke Ellington, The Centennial Edition” RCA Victor ‎– 09026-63386-2)

Recorded 20 March 1939

Rex Stewart, Louis Bacon – trumpet; Joe Nanton – trombone; Barney Bigard – clarinet; Duke Ellington – piano; Billy Taylor – bass; Sonny Greer = drums.


djangoLow Cotton/Montmartre/Finesse (CD: “Djangologie/USA, Volumes 5-6” Disques Swing ‎– CDSW 8424/6)

Recorded

Rex Stewart – cornet; Barney Bigard – clarinet; Django Reinhardt – guitar; Billy Taylor – bass.


duke 100Tootin’ Through The Roof (CD: “Duke Ellington: The Columbia Years 1927-1962” Columbia 5176872)

Recorded 14 October 1939, Chicago

Wallace Jones, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Billy Taylor – bass; Sonny Greer – drums.


highlightsMorning Glory (CD: “Highlights of the Great 1940-1942” Avid EMSC1143)

Recorded 6 March 1940, Chicago

Wallace Jones, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.;

Dusk (CD: “Highlights of the Great 1940-1942” Avid EMSC1143)

Recorded 28 May 1940, Chicago

Wallace Jones, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.


centennial edition

Without A Song  (CD: “Duke Ellington, The Centennial Edition” RCA Victor ‎– 09026-63386-2)

Recorded 2 November 1940, Chicago

Rex Stewart – cornet; Lawrence Brown – trombone; Ben Webster- tenor sax; Harry Carney – baritone sax; Duke Ellington – piano; Jimmie Blanton – bass; Sonny Greer – drums.


circle vol 1Boy Meets Horn (CD: “World Broadcasting Series, Volume 1” Circle ‎ CCD-101)

Recorded 8 November 1943, New York City

Wallace Jones, Rex Stewart, Dizzy Gillespie,Taft Jordan – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Jimmy Hamilton, Johnny Hodges, Otto Hardwicke, Skippy Williams, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Wilson Myers – bass; Sonny Greer – drums.


world volume 3

Harlem Airshaft (CD: “World Broadcasting Series, Volume 3” Circle ‎ CCD-103)

Recorded 1 December 1943, New York City

Wallace Jones, Rex Stewart, Taft Jordan, Ray Nance, Harold Baker – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Jimmy Hamilton, Johnny Hodges, Otto Hardwicke, Skippy Williams, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Junior Raglin – bass; Sonny Greer – drums.


— Our closing music —-

0000120517It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.

 

The Treasury Shows, Pt. I (Podcast #18-019)

A look at the first 5 volumes of the 25 volume set of Duke Ellington’s Treasury Shows released by Storyville Records. Continue reading

“In April 1945, Duke Ellington began what was to be the largest single recording project of his career, though it is most unlikely that he or anyone else thought of it in such terms at the time… [He] signed an agreement with the newly formed American Broadcasting Company to broadcast a series of hour-long Saturday afternoon network shows under the title “A Date With The Duke.”… The recordings of these complete broadcasts…make up the largest single block of material in the Ellington discography.”

– Eddie Lambert, A Listener’s Guide – Duke Ellington


 

 

Errata –  For “Solitude,” I omitted crediting Al Hibbler as one of the vocalists. Rex Stewart was cited as a trumpeter; he was a cornetist.



The recordings heard on this podcast episode:



 

vol 1

1-1                      Take The “A” Train & Broadcast Intro

1-2                      Blutopia

1-3                      Midriff

1-4                      Creole Love Call

1-5                      Suddenly It Jumped

1-6                      Frustration

1-7                      I’m Beginning To See The Light

1-8                      Duke Introduces The Perfume Suite

1-9                      Love (Balcony Serenade)

1-10                    Violence (Strange Feeling)

1-11                    Dancers In Love (A Stomp For Beginners)

1-12                    Sophistication (Coloratura)

1-13                    Air Conditioned Jungle

1-14                    I Ain’t Got Nothin’ But The Blues

1-15                    Subtle Slough

1-16                    Passion Flower (Into Closing)

1-17                    Take The “A” Train

1-18                    Hayfoot , Strawfoot

1-19                    Don’t Get Around Much Anymore

1-20                    A Slip Of The Lip

1-21                    Take The “A” Train

2-1                      Moon Mist (And Intro)

2-2                      New World A-Comin

2-3                      Nobody Knows The Trouble I’ve Seen

2-4                      Mood Indigo

2-5                      Chant For FDR (American Lullaby)

2-6                      Poor Pilgrim Of Sorrow

2-7                      Creole Love Call

2-8                      Moon Mist (Into Broadcast Close)

2-9                      (Transcription Theme) Any Bonds Today?

2-10                    (Theme) Take The “A” Train

2-11                    Don’t Get Around Much Anymore

2-12                    Caravan

2-13                    Bond Promo

2-14                    It Can’t Be Wrong

2-15                    Johnny Come Lately

2-16                    (Closing Theme) Any Bonds Today?

2-17                    (Opening Theme) Any Bonds Today?

2-18                    (Theme) Take The “A” Train

2-19                    Wait For Me Mary

2-10                    Moon Mist

2-21                    Bond Promo

2-22                    A Slip Of The Lip

2-23                    Things Ain’t What They Used To Be

2-24                    (Closing Theme) Any Bonds Today?

Credits

  • Alto Saxophone – Johnny Hodges, Otto Hardwick
  • Alto Saxophone, Clarinet – Nat Jones (tracks: 10-2 to 15-2 , 18-2 to 23-3), Oett “Sax” Mallard (tracks: 17-1 to 21-1)
  • Arranged By, Leader, Piano – Duke Ellington
  • Baritone Saxophone, Clarinet, Bass Clarinet – Harry Carney
  • Bass – Junior Raglin
  • Clarinet, Tenor Saxophone – Jimmy Hamilton (tracks: 1-1 to 21-1 , 1-2 to 8-2 , 10-2 to 15-2 , 18-2 to 23-2)
  • Drums – Sonny Greer
  • Guitar – Fred Guy
  • Piano, Arranged By – Billy Strayhorn (tracks: 1-1 to 16-1 , 1-1 to 16-1 , 1-2 to 8-2 , 10-2 to 15-2 , 18-2 to 23-3)
  • Tenor Saxophone – Al Sears (tracks: 1-1 to 16-1 , 2-1 to 2-8 , 2-10 to 2-15 , 2-18 to 2-23), Ben Webster(tracks: 1-17 to 1-21 , 2-10 to 2-15 , 2-18 to 2-23)
  • Trombone – Claude Jones (tracks: 2-1 to 2-8), Joe Nanton, Juan Tizol (tracks: 1-1 to 1-21 , 2-10 to 2-16 , 18-2 to 23-2), Lawrence Brown (tracks: 1-1 to 21-1 , 2-1 to 2-8), Sandy Williams (tracks: 10-2 to 15-2 , 2-18 to 2-23)
  • Trumpet – Cat Anderson (tracks: 1-1 to 1-16 , 2-1 to 2-8), Harold Baker (tracks: 1-17 to 1-21 , 2-18 to 2-24), Rex Stewart (tracks: 1-1 to 1-21 , 2-1 to 2-8), Shelton Hemphill (tracks: 1-1 to 1-16 , 2-1 to 2-8), Taft Jordan (tracks: 1-1 to 1-16, 1-2 to 24-2), Wallace Jones (tracks: 1-17 to 1-21 , 2-18 to 2-24)
  • Trumpet, Violin – Ray Nance
  • Voice – Al Hibbler (tracks: 1-10 , 1-14 , 2-3 , 2-14 ), Joya Sherrill (tracks: 1-7), Kay Davis (tracks: 1-4 , 2-6 , 2-7), Ray Nance (tracks: 1-20 ,2-22)

Notes

Tracks 1-1 to 1-16 recorded at 400 Restaurant ,NYC,April 7th,1945 – Treasury Broadcast No.1
Tracks 2-1 to 2-8 recorded at 400 Restaurant ,NYC,April 14th,1945 – Duke Ellington’s Treasury Broadcast Replaced By A Special FDR Memorial Broadcast
Tracks 1-17 to 1-21 recorded at NBC – Studio 6B – Radio City – NYC , May 1st,1943 – Duke Ellington Performing At A War Bond Rally
Tracks 2-10 to 2-15 , 2-18 to 2-23 recorded in New York – June 1943 – Treasury Star Parade No. 231
Tracks 2-18 to 2-23 recorded in New York – June 1943 – Treasury Star Parade No. 232
Tracks 2-19 , 2-16 , 2-17 , 2-24 recorded by an unknown studio orchestra.


 

vol 2

1-1              Take The “A” Train & Broadcast Intro

1-2              Mood To Be Wooed

1-3              If You Are But A Dream

1-4              (Otto Make That) Riff Staccato

1-5              I’m Beginning To See The Light

1-6              Duke Ellington Presents “Black, Brown And Beige” (Excerpts)

1-7              West Indian Dance

1-8              The Blues

1-9              Emancipation Celebration

1-10            Sugar Hill Penthouse

1-11            Sentimental Lady (Small Excerpt)

1-12            Stomp, Look And Listen

1-3              Frantic Fantasy

1-14            It Don’t Mean A Thing (If It Ain’t That Swing)

1-15            Sentimental Lady (Into Closing)

1-16            Any Bonds Today?

1-17            (Theme) Take The “A” Train

1-18            Tonight I Shall Sleep

1-19            Go Away Blues

1-20            Bond Promo

1-21            Creole Love Song

1-22            Three Cent Stomp

1-23            (Closing Theme) Any Bonds Today?

2-1              (Opening Theme) Take The “A” Train

2-2              Midriff

2-3              Carnegie Blues

2-4              Someone

2-5              My Little Brown Book

2-6              Kissing Bug

2-7              Ring Dem Bells

2-8              I’m Beginning To See The Light

2-9              Duke Ellington Presents “Black, Brown And Beige ” (Excerpts)

2-10            Work Song

2-11            Come Sunday

2-12            Candy

2-13            Broadcast Interrupted By War Bulletin

2-14            Teardrops In The Rain (In Progress)

2-15            Accentuate The Positive

2-16            Way Low

2-17            (Theme) Take The “A” Train

2-18            (Theme) Take The “A” Train

2-19            Love Letters

2-20            Main Stem

2-21            Fishing For The Moon

2-22            Riff’N Drill

2-23            Kissing Bug

  • Recorded At – 400 Restaurant, NYC
  • Recorded At – The New Zanzibar ,NYC

Credits

  • Alto Saxophone – Johnny Hodges, Otto Hardwick (tracks: 1-1 to 1-15, 2-1 to 2-23)
  • Baritone Saxophone, Clarinet, Bass Clarinet – Harry Carney
  • Bass – Junior Raglin
  • Drums – Sidney Catlett (tracks: 2-18 to 2-23), Sonny Greer (tracks: 1-1 to 1-15, 1-17 to 1-22 , 2-1 to 2-17)
  • Guitar – Fred Guy
  • Leader, Arranged By, Piano – Duke Ellington
  • Piano, Arranged By – Billy Strayhorn (tracks: 1-2 to 2-23)
  • Tenor Saxophone – Al Sears (tracks: 1-1 to 1-15, 2-1 to 2-23), Ben Webster (tracks: 1-17 to 1-22)
  • Tenor Saxophone, Clarinet – Jimmy Hamilton
  • Trombone – Claude Jones (tracks: 1-1 to 1-15 , 2-1 to 2-23), Joe Nanton, Juan Tizol (tracks: 1-17 to 1-22), Lawrence Brown (tracks: 1-1 to 1-15, 2-1 to 2-23)
  • Trumpet – Cat Anderson (tracks: 1-1 to 1-15, 2-1 to 2-23), Harold Baker (tracks: 1-17 to 1-22), Ray Nance, Rex Stewart, Shelton Hemphill (tracks: 1-1 to 1-15, 2-1 to 2-23), Taft Jordan
  • Violin – Ray Nance (tracks: 2-1 to 2-17)
  • Voice – Al Hibbler (tracks: 2-5), Joya Sherrill (tracks: 1-5, 2-6, 2-8, 2-15, 2-23), Kay Davis (tracks: 1-3),Marie Ellington (tracks: 1-8), Ray Nance (tracks: 1-14), Taft Jordan (tracks: 1-14

Notes

Tracks 1-1 to 1-15 recorded at 400 Restaurant, NYC, April 21st,1945 – Treasury Broadcast No.2
Tracks 2-17 to 2-22 recorded in NYC, June 1943 – Treasury Star Parade No. 233
Tracks 1-16 and 1-23 unknown studio orchestra –
Tracks 2-1 to 2-17 recorded at 400 Restaurant, NYC, April 28th,1945 – Treasury Broadcast No.3
Tracks 2-18 to 2-23 recorded at The New Zanzibar, NYC, October 7th,1943 – Duke Ellington Broadcast From The New Zanzibar (Mutual Broadcasting System)


 

vol 3

1-1               (Opening Theme) Take The “A” Train

1-2               Blutopia

1-3               Bond Promo

1-4               Clementine

1-5               My Hearts Sings

1-6               Sentimental Journey

1-7               I Got It Bad (And That Ain’t Good)

1-8               Three Cent Stomp

1-9               Black And Tan Fantasy

1-10             Blue Skies (Broadcast Break)

1-11             Broadcast Return

1-12             Passion Flower

1-13             Air Conditioned Jungle

1-14             Frantic Fantasy

1-15             I’m Beginning To See The Light (& Bond Promo)

1-16             Main Stem

1-17             Everything But You

1-18             Carnegie Blues

1-19             Jump For Joy – (Theme) Things Ain’t What They Used To be

1-20             Jumpin’ Pumpkins

1-21             A Door Will Open

1-22             West Indian Dance

1-23             I Ain’t Got Nothin But The Blues

1-24             Jack The Bear (Into Broadcast Close)

2-1               (Opening Theme) Take The “A” Train

2-2               Carnegie Blues

2-3               Riff Staccato

2-4               Bond Promo

2-5               All At Once

2-6               Yesterdays

2-7               I Miss Your Kiss

2-8               Accentuate The Positive

2-9               Bond Promo

2-10             Blue Cellophane

2-11             (Theme) Take The “A” Train (Station Break)

2-12             (Theme)Take The “A” Train (Station Return)

2-13             Prelude To A Kiss

2-14             Caravan

2-15             Sophisticated Lady

2-16             I Ain’t Got Nothin’ But The Blues

2-17             I’m Beginning To See The Light – Bond Promo

2-18             In A Mellotone

2-19             Harlem Air Shaft

2-20             I Don’t Mind

2-21             Bond Promo

2-22             The Jeep Is Jumpin (Broadcast Close)

2-23             (Opening Theme) Take The “A” Train

2-24             Just A-Settin And A-Rockin’

2-25             Clementine

2-26             The Wonder Of You

2-27             I’ll Buy That Dream

2-28             Come To Baby, Do (Broadcast Close)

Credits

  • Alto Saxophone – Johnny Hodges, Otto Hardwick
  • Baritone Saxophone, Clarinet, Bass Clarinet – Harry Carney
  • Bass – Junior Raglin (tracks: 1-1 to 1-9 , 2-2 to 2-22), Lloyd Trotman (2) (tracks: 1-20 to 1-24 ), Oscar Pettiford (tracks: 2-23 to 2-28)
  • Drums – Sonny Greer
  • Guitar – Fred Guy
  • Liner Notes – Frank Rutter
  • Piano, Arranged By – Billy Strayhorn
  • Piano, Arranged By, Leader – Duke Ellington
  • Tenor Saxophone – Al Sears
  • Tenor Saxophone, Clarinet – Jimmy Hamilton
  • Trombone – Claude Jones, Joe Nanton (tracks: 1-1 to 1-24 , 2-1 to 2-22), Lawrence Brown, Wilbur De Paris (tracks: 2-23 to 2-28)
  • Trumpet – Cat Anderson, Rex Stewart, Shelton Hemphill, Taft Jordan
  • Trumpet, Violin – Ray Nance (tracks: 1-1 to 1-24 , 2-1 to 2-22)
  • Voice – Al Hibbler (tracks: 1-7 , 1-23 , 2-16), Joya Sherrill (tracks: 3-1 , 1-17 , 2-8, 2-17 , 2-26), Kay Davis (tracks: 1-23 , 2-16), Marie Ellington (tracks: 2-20), Ray Nance (tracks: 1-19)

Notes

Tracks 1-1 to 1-19 – Treasury Broadcast No. 4, Adams Theatre, Newark, N.J, May 5th, 1945 (ABC)
Tracks 1-20 to 1-24 – Remote Broadcast From The New Zanzibar, New York City, October 1945 (NBC)
Tracks 2-1 to 2-22 – Treasury Broadcast No. 5, From Studio 6B, Radio City, NYC, May 12th, 1945 (ABC)
Tracks 23-2 to 2-28 – Remote Broadcast From The New Zanzibar, New York City, November 1945 (NBC)


 

vol 4

1-1              (Opening Theme) Take The “A” Train

1-2              Teardrops In The Rain

1-3              Everything But You

1-4              Ellington Bond Promo

1-5              Perdido

1-6              If You Are But A Dream

1-7              Pitter Panther Patter

1-8              Emancipation Celebration

1-9              Ellington Bond Promo

1-10            I Should Care

1-11            Take The “A” Train (Station Break)

1-12            Take The “A” Train (Broadcast Return)

1-13            In A Sentimental Mood

1-14            It Don’t Mean A Thing

1-15            Solitude

1-16            I’m Beginning To See The Light And Ellington Bond Promo

1-17            Subtle Slough

1-18            C-Jam Blues

1-19            Don’t You Know I Care

1-20            Ellington Bond Promo

1-21            Stomp Look And Listen

1-22            (Closing Theme) Things Ain’t What They Used To Be

1-23            In The Special Of The Old Apple Tree

1-24            9:20 Special

1-25            Tell Ya’ What I’m Gonna Do

1-26            West Indian Dance

2-1              A Door Will Open

2-2              In A Mellotone

2-3              Everything But You

2-4              Solid Old Man

2-5              Things Ain’t What They Used To Be (Into Broadcasting Closing)

2-6              (Opening Theme) Take The “A” Train

2-7              Ellington Bond Promo

2-8              Sugar Hill Penthouse

2-9              Suddenly It Jumped

2-10            Ellington Bond Promo

2-11            Candy

2-12            A Friends Of Yours

2-13            Kissing Bug

2-14            Hollywood Hangover

2-15            Laura

2-16            Ellington Bond Promo (Station Break)

2-17            (Theme) Take The “A” Train

2-18            In The Special Of The Old Apple Tree

2-19            Frankie And Johnny

2-20            I’m Beginning To See The Light And Ellington Bond Promo

2-21            Midriff

2-22            I Ain’t Got Nothin’ But The Blues

2-23            My Honey’s Lovin Arms

2-24            Ellington Bond Promo

2-25            Rockin’ In Rhythm (Into Broadcasting Closing)

Credits

  • Alto Saxophone – Johnny Hodges, Otto Hardwick
  • Baritone Saxophone, Clarinet, Bass Clarinet – Harry Carney
  • Bass – Junior Raglin
  • Drums – Sonny Greer
  • Guitar – Fred Guy
  • Liner Notes – Rob Bamberger
  • Piano, Arranged By – Billy Strayhorn
  • Piano, Arranged By, Leader – Duke Ellington
  • Reissue Producer – Jerry Valburn
  • Tenor Saxophone – Al Sears
  • Tenor Saxophone, Clarinet – Jimmy Hamilton
  • Trombone – Claude Jones, Joe Nanton, Lawrence Brown
  • Trumpet – Cat Anderson, Ray Nance, Rex Stewart, Shelton Hemphill, Taft Jordan
  • Voice – Al Hibbler (tracks: 1-14, 1-15, 1-19, 2-22), Joya Sherrill (tracks: 1-3, 1-14, 1-15, 1-25, 2-3 , 2-13 ), Kay Davis (tracks: 1-6, 1-14, 1-15, 2-22), Marie Ellington (tracks: 1-14, 1-15), Ray Nance (tracks: 2-11)

Notes

Tracks 1-1 to 1-22 : Treasury Broadcast No. 6 – Paradise Theatre, Detroit, Michigan – May 19th, 1945
Tracks 1-23 to 2-5 : Broadcast from the New Zanzibar, NYC – October 10th, 1945 (MBS)
Tracks 2-6 to 2-25 : Treasury Broadcast No. 7 from the Regal Theatre, Chicago, Illinois – May 26th, 1945


 

vol 5

1-1              (Opening Theme) Take The “A” Train

1-2              Mood To Be Wooed

1-3              Jack The Bear

1-4              Ellington Bond Promo

1-5              The More I See You

1-6              Way Low

1-7              Blues On The Double

1-8              Ellington Bond Promo

1-9              Summertime

1-10            (Theme) Take The “A” Train (Station Break)

1-11            (Theme) Take The “A” Train (Broadcast Return)

1-12            Come Sunday

1-13            Light

1-14            I’m Beginning To See The Light – Ellington Bond Promo

1-15            On The Alamo

1-16            Carnegie Blues

1-17            Ellington Bond Promo

1-18            Riff Staccato

1-19            Blues Skies

1-20            (Closing Theme) Things Ain’t What They Used To Be

1-21            (Opening Theme) Take The “A” Train

1-22            As Long As I Live

1-23            Nine-Twenty Special

1-24            The Wonder Of You

1-25            Walkin With My Honey

1-26            Three Cent Stomp

2-1              Don’t Take Your Love From Me

2-2              Court Session

2-3              Emancipation Celebration

2-4              Let The Zoomers Drool

2-5              (Opening Theme) Take The “A” Train

2-6              Blues Is The Night

2-7              Ellington Bond Promo

2-8              Can’t You Read Between The Lines?

2-9              Hop Skip And Jump

2-10            Kissing Bug

2-11            Solid Old Man

2-12            I Ain’t Got Nothin’ But The Blues

2-13            Ellington Bond Promo

2-14            I Miss Your Kiss

2-15            (Theme) Things Ain’t What They Used To Be (Station Break)

2-16            (Theme) Things Ain’t What They Used To Be (Broadcast Return)

2-17            Duke Ellington Presents The “Blues Clusters”

2-18            Diminuendo And Crescendo In Blue

2-19            Rocks In My Bed

2-20            Crescendo In Blue

2-21            I’m Beginning To See The Light – Ellington Bond Promo

2-22            Teardrops In The Rain

2-23            My Little Brown Book

2-24            Ac-Cen-Tu-Ate The Positive

2-25            Ellington Bond Promo

2-26            C-Jam Blues

2-27            (Closing Theme) Take The “A” Train

Credits

  • Alto Saxophone – Johnny Hodges, Otto Hardwick
  • Baritone Saxophone, Clarinet, Bass Clarinet – Harry Carney
  • Bass – Junior Raglin, Oscar Pettiford (tracks: 1-21 to 2-4)
  • Drums – Sonny Greer
  • Guitar – Fred Guy
  • Piano, Arranged By – Billy Strayhorn
  • Piano, Arranged By, Leader – Duke Ellington
  • Reissue Producer – Jerry Valburn
  • Tenor Saxophone – Al Sears
  • Tenor Saxophone, Clarinet – Jimmy Hamilton
  • Trombone – Claude Jones, Joe Nanton, Lawrence Brown
  • Trumpet – Cat Anderson, Rex Stewart, Shelton Hemphill, Taft Jordan
  • Trumpet, Violin – Ray Nance
  • Voice – Al Hibbler (tracks: 2-1, 2-12, 2-23), Joya Sherrill (tracks: 1-14, 1-24, 2-10, 2-21, 2-24), Kay Davis (tracks: 1-5, 2-12), Marie Ellington (tracks: 2-19), Ray Nance (tracks: 1-18)

Notes

Tracks 1-1 to 1-20 : Treasury Broadcast No. 8 – Percy Jones Center, Battle Creek, Michigan – June 2nd, 1945
Tracks 1-21 to 2-4 : Broadcast from the New Zanzibar, NYC, September 18th,1945 (NBC)
Tracks 2-5 to 2-27 : Treasury Broadcast No. 9 from Paramount Theatre, Toledo, Ohio

 

 

Portrait of Ben Webster, Pt. II (Podcast #18-003)

A look at the music of Ben Webster after his tenure with the Duke Ellington Orchestra. Continue reading

“He was considered the supreme ballad master. As great as Prez, Hawk and Byas were, they all had to take a back seat to Ben on ballads. Ben almost had a monopoly on the pretty ones. His breathy, whispy [sic] style, coupled with a most distinct tone enabled him to get an effect of a violin sound in his upper register playing. And when he would manipulate down to the lower register, he would nearly blow you out of your mind.”

-Bernard Montgomery



ben webster late




Alum

 Jet Magazine, 24 July 1958


BW website

Screenshot from The Official Ben Webster website





websterbenjamim

 Ben Webster’s ashes are buried at Assistens Cemetery in Copenhagen


The recordings heard on this podcast episode:



atmosphere

Blue Light (LP: “Atmosphere for Lovers and Thieves” Black Lion Records 65117)

Recorded September 1965, Copenhagen

Ben Webster, Ole Kongsted – tenor sax; Arnved Meyer – trumpet; John Darville – trombone; Niels Jorgen Steen – piano; Henrik Hartmann – bass; Hans Nymand – drums.


bw with strings

What Am I Here For? (CD: “Music for Loving” Verve 314 527 774-2)

Recorded 9 September 1955, New York City

Ben Webster – tenor sax; Al Epstein, Danny Bank – reeds; Harold Colletta, Martin Donegan, Leo Kruczek, Harry Lookofsky, Eugene Orloff, Tosha Samaroff, Paul Winter – violin; Burt Fisch – viola; Abram Boradkin, George Ricci, Lucien Schmitt – cello; Hank Jones – piano; Chet Amsterdam, Wendell Marshall – bass; Osie Johnson – drums; Ralph Burns – arranger, conductor.

My Funny Valentine

Recorded 30 March 1954, New York City

Ben Webster – tenor sax; Teddy Wilson – piano; Ray Brown – bass; Jo Jones – drums.


BW emarcy

Pouting/The Iron Hat (CD: “The Complete Ben Webster on EmArcy” EmArcy 824 836-2(1))

Recorded 23 January 1953, New York City

Don Elliot – trumpet, mellophone; Eddie Bert – trombone; Sam Rubinowitch – alto sax, piccolo; Ben Webster – tenor sax; Sidney Brown – baritone sax; Billy Taylor – piano; Milt Hinton – bass; Jo Jones – drums; Johnny Richards – arranger.


 

See_You_at_the_Fair

In a Mellow Tone / The Single Petal of a Rose (CD: “See You At The Fair” Impulse! GRD-121)

Recorded 11 March 1964, Englewood Cliffs, New Jersey

Ben Webster – tenor sax; Hank Jones – piano; Richard Davis – bass; Osie Johnson -drums.


Ben-Webster-Meets-Don-Byas-cover

Caravan (CD: “Ben Webster meets Don Byas” Verve 827920-2)

Recorded 1/2 February 1968, Villingen, Black Forest, Germany

Ben Webster, Don Byas – tenor sax; Tete Montoliu – piano; Peter Trunk – bass; Albert “Tootie” Heath – drums.


ben and bean

It Never Entered My Mind (CD: “Coleman Hawkins encounters Ben Webster” Verve 9884036)

Recorded 16 October 1957, Los Angeles

Ben Webster, Coleman Hawkins – tenor sax; Oscar Peterson – piano; Herb Ellis – guitar; Ray Brown – bass; Alvin Stoller – drums.


side by side

Just A Memory (CD: “Johnny Hodges and Duke Ellington – Side by Side” PolyGram
5214052)

Recorded 14 August 1958, New York City

Johnny Hodges – alto saxophone; Roy Eldridge – trumpet; Lawrence Brown – trombone; Ben Webster – tenor saxophone; Billy Strayhorn – piano; Wendell Marshall – bass; Jo Jones – drums.


king of the tenors

That’s All (CD: “King of the Tenors” Verve 314 519 806-2)

Recorded 8 December 1953, Los Angeles

Ben Webster – tenor sax; Harry “Sweets” Edison – trumpet; Benny Carter – alto sax; Oscar Peterson – piano; Herb Ellis – guitar; Ray Brown – bass; Alvin Stoller – drums.


ben and art tatum

Gone with the Wind (CD: “The Tatum Group Masterpieces” Pablo J33J 20034)

Recorded 11 September 1956, Los Angeles

Ben Webster – tenor sax; Art Tatum – piano; Red Callender – bass; Bill Douglass – drums.


slim gaillard

Potato Chips (CD: Slim Gaillard, “Laughing in Rhythm: The Best of the Verve Years” Verve 314 521 651-2)

Recorded 1952, New York City

Slim Gaillard – vocal; Ben Webster – tenor sax; others unknown.


newport

C Jam Blues/Chelsea Bridge (LP: Various Artists, “Newport Jazz Festival Live (Unreleased Highlights from 1956, 1958, 1963”) Columbia C2 38262)

Recorded 4 July 1958 live at The Newport Jazz Festival

Cootie Williams – trumpet; Rex Stewart – cornet; Tyree Glenn – trombone; Hilton Jefferson – alto sax; Ben Webster – tenor sax; Billy Strayhorn – piano; Oscar Pettiford – bass; Sonny Greer – drums.


ella and duke

All Too Soon (CD: “Ella & Duke at The Cote D’Azur” PolyGram 539030)
Recorded 29 July 1966, Juan-les-Pins, France

Ray Nance – trumpet, violin; Ben Webster – tenor sax; Cat Anderson, Herbie Jones, Mercer Ellington – trumpet; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; John Lamb – bass; Sam Woodyard – drums.

 

When Cootie Left the Duke, Pt. III (Podcast #17-011)

Cootie disbanded his big band in 1947. This episode covers the period of 1947 up until 1962, the year Cootie rejoined Ellington.
Continue reading

“…Benny Goodman, just back from Russia, persuaded [Cootie] Williams and Teddy Wilson to rejoin him. It was an amusing stint [Williams] recalled. “Sometimes Goodman would let you play,” he explained, “and other times he wouldn’t. He has his ways, as everyone knows. At Freedomland one night there was no bass player – he’d forgotten he’d fired him the evening before. Benny, though, is a great musician,” he laughed, “but I’d already been talking with Harry Carney. ‘Tell Duke,” I’d said, ‘that I’m ready to come back.'”

-from The World of Duke Ellington, by Stanley Dance


 

CW orch size

…and Cootie never led a big band again….


j46-dinah-washington-large-300x300 (1)

heritage-auctions-posters-dinah-washington

Tour package posters featuring Cootie Williams and Dinah Washington


 

cootie and catherine

Cootie and his wife Catherine in Jet Magazine, issue dated 3 February 1955 


South

An illustration of Cootie’s appeal



The recordings heard on this podcast episode:



Dinah Washington

Resolution Blues ( CD: “Dinah Washington – The Queen Sings” Proper Records PROPERBOX 43)

Recorded 16 July 1947, New York City

Dinah Washington – vocal; Cootie Williams, Bob Merrill – trumpet; Rupert Cole – alto sax; William “Weasel” Parker – tenor sax; Arnold Jarvis, James Lowe – piano; Leonard “Heavy” Swain – bass; Sylvester Payne – drums.


CW Classics 1946-1949

(CD: “Cootie Williams and his Orchestra 1946-1949” Classics 1105)

Let ‘Em Roll Recorded 2 March 1949, New York City

Cootie Williams – trumpet; Bob Merrill – trumpet, vocal; Rupert Cole – alto sax; Willis Jackson – tenor sax; Lester Fauntleroy – piano; Leonard “Heavy” Swain – bass; Gus Johnson – drums.

You Gotta Pay Those Dues Recorded 20 September 1949, New York City

Cootie Williams – trumpet; Bob Merrill(?) – trumpet; Rupert Cole(?) – alto sax; Willis Jackson – tenor sax; Lester Fauntleroy(?) – piano; Leonard “Heavy” Swain(?) – bass; Gus Johnson(?) – drums; Eddie Mack – vocal.

(NOTE: In the podcast, it was erroneously stated that these two recordings dated from 1947.)


CW in hifi

Boomerang (CD: “Cootie Williams in Hi-Fi” RCA 63561-2)

Recorded 10 July 1957, New York City

Cootie Williams – trumpet; George Berg, Rupert Cole, George Clark, Elwyn Fraser – saxophones; Skeeter Best, Larry Dale – guitar; Abe Baker – bass; Dave Martin – piano; Lester Jenkins – drums; Leroy Glover – organ.


porgy

Bess, You is my woman now (LP: “Porgy & Bess Revisited” Disques Swing SW-8414)

Recorded late 1958, New York City

Cootie Williams (“Porgy”) – trumpet; Rex Stewart (“Sportin’ Life”) – cornet; Lawrence Brown (“Serena” and “Clara”) – trombone; Hilton Jefferson (“Bess”) – alto sax; Pinky Williams (“Jake”) – baritone sax; Bernie Glow, Joe Wilder, Ernie Royal, Al Derisi – trumpet; Urbie Green, Eddie Bert, Sonny Russo – trombone; Sid Cooper, Walt Levinsky, Al Klink, Boomie Richman – reeds; Buddy Weed – piano; Barry Galbraith – guitar; Milt Hinton – bass; Don Lamond – drums; plus string section.


CW in hifi

Just In Time (CD: “Cootie Williams in Hi-Fi” RCA 63561-2)

Recorded March/April 1958 New York City

Cootie Williams – trumpet; Billy Byers, Bobby Byrne, Lou McGarity – trombone; Dick Hixon – bass trombone; Phil Bodner, Elwyn Fraser, Nick Caiazza, Romeo Penque, Boomie Richman – saxophones; Hank Jones – piano; Tony Mottola – guitar; Eddie Safranski – bass; Don Lamond – drums.


Big Challenge

I Got A Right To Sing The Blues/Alphonse and Gaston (LP: “Cootie and Rex – The Big Challenge” Hall of Fame Jazz Greats JG-602)

Recorded 30 April 1957, New York City

Cootie Williams – trumpet; Rex Stewart – cornet; Lawrence Brown, J.C. Higginbotham – trombone; Coleman Hawkins, Bud Freeman – tenor sax; Hank Jones – piano; Billy Bauer – guitar; Milt Hinton – bass; Gus Johnson – drums.

Horn solo order on Alphonse and Gaston – Lawrence Brown/J.C. Higginbotham (4 times); Coleman Hawkins/Bud Freeman (4 times) Cootie Williams/Rex Stewart (1st and 2nd time – plungers; 3rd time – half valve; 4th time – open)


bessie smith

Gin House Blues (LP: Ronnie Gilbert, “The Legend of Bessie Smith” RCA LPM-1591)

Recorded 8-9 August 1957 New York City

Ronnie Gilbert – vocal; Cootie Williams – trumpet; Benny Morton – trombone; Buster Bailey – clarinet; Claude Hopkins – piano; Steve Jordan or George Barnes or Fred Hellerman – guitar; George Duvivier – bass; Osie Johnson – drums.


Do Nothin

I Got It Bad (and That Ain’t Good)/It Don’t Mean a Thing If It Ain’t Got That Swing (CD: “Do Nothin’ Till You Hear From Me” Collectables COLCD 6121)

Recorded 1959

Cootie Williams – trumpet; other musicians uncredited.


private collection volume 3

September 12th Blues (CD: “The Private Collection, Volume 3: Studio Sessions, New York 1962 Saja 91043-2)

Recorded 12 September 1962, New York City

Cootie Williams, Bill Berry, Roy Burrowes, Cat Anderson, Ray Nance – trumpet; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Aaron Bell – bass; Sam Woodyard – drums.


0000120517



It’s Something You Ought To Know
 (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.