This is the last part of our look at the 25 double CD set of Storyville’s Treasury Show series…. Continue reading →
“In April 1945, Duke Ellington began what was to be the largest single recording project of his career, though it is most unlikely that he or anyone else thought of it in such terms at the time… [He] signed an agreement with the newly formed American Broadcasting Company to broadcast a series of hour-long Saturday afternoon network shows under the title “A Date With The Duke.”… The recordings of these complete broadcasts…make up the largest single block of material in the Ellington discography.”
– Eddie Lambert, A Listener’s Guide – Duke Ellington
The recordings heard on this podcast episode:
(Under construction…..)
— Our closing music —-
It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)
Recorded 29 February 1960, New York City
Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.
Lawrence Brown (1907-88) was a major voice in the Ellington orchestra. He played with Duke for 29 years, longer than any other trombonist in the orchestra. Continue reading →
“As a soloist, his taste his impeccable, but his greatest role is that of an accompanist. The old timers used to say, ‘Soloists are made, but accompanists are born’. Lawrence Brown is the accompanist par excellence. During the many years he was with us, records prove that his solo performances had the widest range from classical standard up to, around, and above the jet-swept contour of the vision we almost hear.”
-Duke Ellington, Music is my Mistress
Lawrence Brown’s interview for the Jazz Oral History Project can be found here.
The recordings heard on this podcast episode:
(Under construction…..)
Globe Trotter (CD: “Four Classic Albums” Avid Jazz AMSC999)
Recorded 15 January 1951, New York City
Emmett Berry – trumpet; Lawrence Brown – trombone; Johnny Hodges – alto sax; Al Sears – tenor sax; Leroy Lovett – piano; Lloyd Trotman – bass; Sonny Greer – drums.
Creole Blues(CD: “Duke Ellington: The Columbia Years 1927-1962” Columbia 5176872)
Recorded 14 July 1960, Los Angeles
Lawrence Brown – trombone; Duke Ellington – piano; Aaron Bell – bass.
Stardust (CD: “Johnny Hodges, soloist, Billy Strayhorn and The Orchestra” Verve 314 557 543-2)
Recorded 11/12 December 1961, Englewood Cliffs, New Jersey
Cat Anderson, Harold “Shorty” Baker, Bill Berry, Howard McGhee, Eddie “Moon” Mullens – trumpet; Lawrence Brown, Quentin Jackson, Chuck Connors – trombone; Johnny Hodges, Russell Procope; Jimmy Hamilton, Paul Gonsalves, Harry Carney – reeds; Jimmy Jones – piano; Aaron Bell – bass; Sam Woodyard – drums
Rose of the Rio Grande (CD: “The Great Paris Concert” Collectables 7818)
Recorded 1 February 1963, Paris
Cat Anderson, Ray Nance, Cootie Williams, Roy Burrowes – trumpet; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; Johnny Hodges, Russell Procope; Jimmy Hamilton, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Ernie Shepard – bass; Sam Woodyard – drums.
Minnie the Moocher (CD: “Recollections of the Big Band Era” Warner Bros. 7411628)
Recorded 13 December 1962, Chicago
Cat Anderson, Ray Nance, Cootie Williams, Roy Burrowes – trumpet; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; Johnny Hodges, Russell Procope; Jimmy Hamilton, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Ernie Shepard – bass; Sam Woodyard – drums.
Let’s Go Fly a Kite (CD: “The Reprise Studio Recordings” Mosaic Records #193)
Cat Anderson, Herbie Jones, Cootie Williams, Nat Woodard – trumpet; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; Johnny Hodges, Russell Procope; Jimmy Hamilton, Paul Gonsalves, Eddie Johnson, Harry Carney – reeds; Duke Ellington – piano; John Lamb – bass; Sam Woodyard – drums.
I Left my Heart In San Francisco(CD: “The Reprise Studio Recordings” Mosaic Records #193)
Recorded 27 April 1964, New York City
Cat Anderson, Rolf Ericson, Cootie Williams, Herbie Jones – trumpet; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; Johnny Hodges, Russell Procope; Jimmy Hamilton, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Major Holley – bass; Sam Woodyard – drums.
Stompy Jones/Mood Indigo (CD: “Everybody Knows Johnny Hodges” GRP/Impulse! GRD-116)
Recorded 8 March 1965, Englewood Cliffs, New Jersey
Ray Nance, Cat Anderson – trumpet; Lawrence Brown – trombone; Johnny Hodges, Russell Procope, Jimmy Hamilton, Harold Ashby – reeds; Jimmy Jones – piano; Richard Davis – bass; Gus Johnson (on “Stompy Jones”), Johnny Hodges, Jr. (on “Mood Indigo”) – drums.
A Beautiful Friendship (CD: “The Reprise Studio Recordings” Mosaic Records #193)
Recorded Cat Anderson, Ray Nance, Cootie Williams, Herbie Jones – trumpet; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; Johnny Hodges, Russell Procope; Jimmy Hamilton, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; John Lamb – bass; Sam Woodyard – drums.
Rabbit Out of the Hat (CD: “Con Soul & Sax/Wild Bill is the Boss” Lone Hill Jazz LHJ10283)
Recorded 17 January 1966, New York City
Johnny Hodges – alto sax; Lawrence Brown – trombone; Jimmy Hamilton – clarinet; Wild Bill Davis – organ; Billy Butler – guitar; Bob Bushnell – bass; Joe Marshall – drums.
Rockville
— Our closing music —-
It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)
Recorded 29 February 1960, New York City
Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.
Tiger Rag provided Ellington with composition material for many years Continue reading →
The recordings heard on this podcast episode:
Tiger Rag, 3rd, 4th And 5th Strains (CD: “Jelly Roll Morton – The Complete Library Of Congress Recordings By Alan Lomax” Rounder Records – ROUNDER 11661-1888-2)
Recorded 1938 at The Library of Congress, Washington, DC
Jelly Roll Morton – piano, narration
High Life (LP: “Mood Indigo” RCA ADL2-0152)
Recorded 16 January 1929 in New York City
Arthur Whetsel, Bubber Miley, Freddie Jenkins – trumpet; Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums, chimes.
Hot and Bothered (CD: “The OKeh Ellington” Columbia C2K 46177)
Recorded 1 October 1928, New York City
Arthur Whetsel, Bubber Miley – trumpet; Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Lonnie Johnson – guitar; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums; Baby Cox – vocal.
(CD: “Duke Ellington: The Columbia Years 1927-1962” Columbia 5176872)
Hot and Bothered
Recorded 12 June 1930, New York City
Arthur Whetsel, Cootie Williams, Freddie Jenkins – trumpet; Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums.
Braggin’ In Brass
Recorded 3 March 1938, New York City
Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Billy Taylor, Hayes Alvis – bass; Sonny Greer – drums.
Daybreak Express (CD:“Highlights from the Duke Ellington Centennial Edition (1927-1973)” RCA Victor 09026636722)
Recorded 4 December 1933, New York City
Arthur Whetsel, Cootie Williams, Freddie Jenkins, Louis Bacon – trumpet; Lawrence Brown, Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Wellman Braud – bass; Sonny Greer – drums.
Tiger Rag (CD: “Jazz Cocktail” ASV – AJA 5024)
Recorded 8 January 1929, New York City
Arthur Whetsel, Bubber Miley, Freddie Jenkins – trumpet; Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums.
Tiger Rag (CD: “The Duke’s Men, Small Groups Vol. 1” Columbia C2K 46995)
Recorded 8 March 1937, New York City
Cootie Williams – trumpet; Joe Nanton – trombone; Johnny Hodges, Otto Hardwicke, Harry Carney – reeds; Duke Ellington – piano; Hayes Alvis – bass; Sonny Greer – drums.
Before My Time (from The Controversial Suite) (LP: “The Complete Duke Ellington 1947-1952” (French) CBS 66607/J)
Recorded 11 December 1951, New York City
Willie Cook, Harold Baker, Clark Terry, Ray Nance – trumpet; Britt Woodman, Quentin Jackson,Juan Tizol – trombone; Jimmy Hamilton, Russell Procope, Willie Smith, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Wendell Marshall – bass; Louie Bellson – drums.
Tiger Rag (CD: “Duke Ellington – Live and Rare” Bluebird RCA 09026639532)
Recorded 1 December 1973, Eastbourne, England
Mercer Ellington, Harold “Money” Johnson, Barry Lee Hall, Johnny Coles – trumpet; Vincente Prudente, Art Baron, Chuck Connors – trombone; Russell Procope, Harold Minerve, Harold Ashby, Percy Marion, Harry Carney – reeds; Duke Ellington – piano; Joe Benjamin – bass; Quentin White – drums.
These four CD sets are a great start to a Duke Ellington collection at a reasonable price. Continue reading →
Duke Ellington recorded thousands of selections over a nearly 50 year career. If you’re new to him, where do you begin? It’s daunting! These four CD sets are a great start to a Duke Ellington collection at a reasonable price.
The recordings heard on this podcast episode:
Take the “A” Train/Pitter Panther Patter/The Flaming Sword (Highlights of the Great 1940-1942 Band [2 disk set] Avid, AMSC1143)
Take the “A” Train was recorded 15 February 1941, Los Angeles
Wallace Jones, Ray Nance –trumpets; Rex Stewart – cornet; Lawrence Brown, Juan Tizol, Joe “Tricky Sam” Nanton – trombones; Otto Hardwicke, Johnny Hodges, Ben Webster, Barney Bigard, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.
Pitter Panther Patter was recorded 1 October 1940, Chicago
Duke Ellington – piano; Jimmie Blanton – bass.
The Flaming Sword was recorded 17 October 1940, Chicago
Wallace Jones, Cootie Williams –trumpets; Rex Stewart – cornet; Lawrence Brown, Juan Tizol, Joe “Tricky Sam” Nanton – trombones; Otto Hardwicke, Johnny Hodges, Ben Webster, Barney Bigard, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.
Kinda Dukish-Rockin’ In Rhythm/Tutti for Cootie (The Great Paris Concert [2 disk set] Collectables, 7818)
Recorded 1 February 1963 in Paris, France
Cootie Williams, Roy Burrowes, Cat Anderson – trumpet; Ray Nance – violin; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; Jimmy Hamilton,; Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Ernie Shepard – bass; Sam Woodyard – drums.
Hot and Bothered/Lady of the Lavender Mist/Solitude (Duke Ellington: The Columbia Years 1927-1962 [3 disk set] Columbia 5176872)
Hot and Bothered was recorded 1 October 1928, New York City
Arthur Whetsel, Bubber Miley – trumpet; Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Lonnie Johnson – guitar; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums; Baby Cox – vocal.
Lady of the Lavender Mist was recorded 14 August 1947 in Los Angeles
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker, Ray Nance – trumpet; Lawrence Brown, Claude Jones, Tyree Glenn – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Al Sears, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Oscar Pettiford – bass; Sonny Greer – drums.
Solitude was recorded 14 October 1957
Willie Cook, Cat Anderson, Harold Baker, Clark Terry, Ray Nance – trumpet; Britt Woodman, Quentin Jackson, John Sanders – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Jimmy Woode – bass; Sam Woodyard – drums.
Day Dream/Caravan/Rockin’ in Rhythm (Ella Fitzgerald sings the Duke Ellington Songbook [3 CD set] Verve Records 559 248-2)
Recorded June 1957 in New York City
Willie Cook, Cat Anderson, Harold Baker, Clark Terry, Ray Nance – trumpet; Britt Woodman, Quentin Jackson, John Sanders – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Billy Strayhorn (on Day Dream), Duke Ellington (Caravan and Rockin’ in Rhythm) – piano; Jimmy Woode – bass; Sam Woodyard – drums; Ella Fitzgerald – vocal
Gospel singer Mahalia Jackson and the Ellington orchestra meet in 1958. Continue reading →
“Bill Putnam, founder, builder, recording engineer, and President of Universal Recording Studios in Chicago, was having a party on a yacht one evening out on Lake Michigan. There were a lot of bigwigs from the Loop there, and a representative of Columbia Records came up to me, all glowing.
“Say you must hear this new girl we’ve got signed up!” he said.
“Who’s that?”
“Mahalia Jackson.”
“Oh, yeah, she’s a good cook.”
“No, she’s a singer.”
“I know,” I said, “but she’s a good cook, too.”
She was the best, a great cook. I had been to her house several times before ever she signed with Columbia, and she always had fine soul food out there.
One of the memorable occasions was when we made “Come Sunday” with her in 1958. Billy Strayhorn was down in Florida, but I had told him the key and he sent the arrangement. Ray Nance was there with his violin, and it all came off well.”
–Duke Ellington, Music Is My Mistress
Duke Ellington and Mahalia Jackson at the New Orleans Jazz and Heritage Festival, 1970
“Come Sunday” appears in the in the United Methodist Hymnal. C. Michael Hawn explains how it came to be. The song is also the subject of a “hymn study.”
Take the “A” Train//Come Sunday//Keep Your Hand on the Plow (CD: “Live at Newport 1958” Sony Music Distribution 53584)
Recorded 21 July 1958, New York City
Mahalia Jackson – vocal; Cat Anderson, Harold Baker, Clark Terry – trumpets; Ray Nance – trumpet, violin; Britt Woodman, Quentin Jackson, John Sanders – trombones; Jimmy Hamilton, Russell Procope, Johnny Hodges, Bill Graham, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Jimmy Woode – bass; Sam Woodyard – drums.
(Part IV) Come Sunday//(Part VI) 23rd Psalm (CD: “Black, Brown, and Beige” Sony Music Distribution 53584)
Recorded 11 February 1958, New York City
Mahalia Jackson – vocal; Cat Anderson, Harold Baker, Clark Terry -trumpet; Ray Nance – trumpet, violin; Britt Woodman, Quentin Jackson, John Sanders – trombone; Jimmy Hamilton, Russell Procope, Bill Graham, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Jimmy Woode – bass; Sam Woodyard – drums.
Mahalia from “The Girls Suite” (LP: “The Girls Suite and The Perfume Suite” Columbia )
Recorded 19 September 1961, Los Angeles
Willie Cook, Edward Mullens, Cat Anderson, Ray Nance – trumpet; Louis Blackburn, Lawrence Brown, Chuck Connors – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Aaron Bell – bass; Sam Woodyard – drums.
Portrait of Mahalia Jackson (CD: “New Orleans Suite” Warner Bros. 7411644)
Recorded 13 May 1970, New York City
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone – trumpet; Booty Wood, Julian Priester, Chuck Connors – trumpet; Russell Procope, Norris Turney, Harold Ashby, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Joe Benjamin – bass; Rufus Jones – drums.