Portrait of Bubber Miley (Podcast #19-008)

“Bubber Miley was from the body and soul of Soulville. He was raised on soul and saturated and marinated in soul. Every note he played was soul filled with the pulse of compulsion….. Bubber was born in South Carolina, but … Continue reading

“Bubber Miley was from the body and soul of Soulville. He was raised on soul and saturated and marinated in soul. Every note he played was soul filled with the pulse of compulsion…..

Bubber was born in South Carolina, but his family moved to New York when he was quite young, and he was raised there. His growl solos with the plunger mute were another of our early sound identities, and between 1925 and 1929 he laid the foundation of a tradition that has been maintained ever since by men like Cootie Williams and Ray Nance.” –

– Duke Ellington, Music Is My Mistress



The recordings heard on this podcast episode:



 

early ellington rca

Early Ellington (1927 – 1934), Bluebird 6852-2-RB

Black and Tan Fantasy, recorded 6 October 1927, Camden, New Jersey

Bubber Miley, Louis Metcalf – trumpet; Joe Nanton – trombone;  unknown,  Edgar Sampson,  Otto Hardwicke – reeds;  Duke Ellington – piano; Fred Guy – banjo;  Mack Shaw – tuba.

East St. Louis Toodle-oo, recorded 3 December 1927, New York City

Bubber Miley, Louis Metcalf – trumpet; Joe Nanton – trombone; Rudy Jackson, Otto Hardwicke, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums.

Doin’ the Voom Voom and Flaming Youth, recorded 16 January 1929, New York City

Arthur Whetsel, Bubber Miley, Freddie Jenkins – trumpet; Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums.


early ellington

Early Ellington – The Complete Brunswick And Vocalion Recordings Of Duke Ellington, 1926-1931, Decca/MCA Records GRD-3-640 (3 CD set)

The Mooche, recorded 17 October 1928, New York City

Arthur Whetsel, Bubber Miley, unknown – trumpet; Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums.


Okeh Ellington

The Okeh Ellington, Columbia C2K 46177 (2 CD set)

Take it Easy, recorded 19 January 1928, New York City

Bubber Miley, Louis Metcalf – trumpet; Joe Nanton – trombone; Barney Bigard, Otto Hardwicke, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums.

The Mooche, recorded 1 October 1928, New York City

Arthur Whetsel, Bubber Miley – trumpet; Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Lonnie Johnson – guitar; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums; Baby Cox – vocal.


bix beiderbeck

The Bix Beiderbecke Story, Proper Records P1362 (4 CD set)

Louisiana, recorded 23 April 1928, New York City

Paul Whiteman and his Orchestra: Henry Busse, Charles Margulis, Eddie Prinder – trumpet; Bix Beiderbecke – cornet; Boyce Cullen, Wilbur Hall, Bill Rank, Jack Fulton – trombone; Irving Friedman, Chet Hazlett, Rube Crozier, Frank Trumbauer, Red Mayer, Charles Strickfaden – reeds; Kurt Dierterle, Mischa Russell, Matty Malneck, Mario Perry, John Bowman, Charles Gaylord – violin; Roy Bargy, Lennie Hayton – piano; Mike Pingitore – banjo; Min Leibrook – tuba; Mike Trafficante – bass; Hal McDonald – drums; Bing Crosby, Jack Fulton, Austin Young, Charles Gaylord – vocal.

Rockin’ Chair, recorded 21  May 1930, New York City

Bix Beiderbecke – cornet; James “Bubber” Miley – trumpet; Tommy Dorsey – trombone; Arnold Brilhart, Benny Goodman, Bud Freeman – reeds; Joe Venuti – violin; Hoagy Carmichael – piano, vocal; .Eddie Lang – guitar; Harry Goodman – bass; Gene Krupa – drums; Irving Brodsky – vocal.


— Our closing music —-

0000120517

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.

 

Portrait of Barney Bigard (Podcast #17-012)

New Orleanian Barney Bigard joined the Ellington band in December 1927 and left in 1942 after tiring of life on the road. Continue reading

“I honestly can’t tell much about my impression of the band that first night. I was too busy fighting the notes, the reading stuff, to pay much attention to the band. I remember the weird chords that would come in behind us. I wasn’t used to that kind of chording at all, but the more I played with them, the more accustomed my ear got to it all. I used to go to Duke in the intermission and say,”Those chords behind me on such-and-such a number: they just don’t sound right to me.” He would sit right down and show me what he was doing. He’d break all the principles of arranging too. He’d give a guy different notes to what he should have had for his instrument.”

-Barney Bigard, With Louis and the Duke


reed section

Duke Ellington, Harry Carney, Barney Bigard, Otto Hardwicke, Johnny Hodges


 

Bigard

Autographs of Barney Bigard, Marshal Royal, Bill Berry and Britt Woodman

Anderson

Autographs of Buster Cooper and Cat Andersonprogram1program2



Click here to connect to Mark Sowlakis’ excellent blog posting Albany “Barney” Bigard – New Orleans Creole Clarinet, complete with several transcriptions and a discography.


cat anderson book

Geoff Winstead revised Cat Anderson’s high note trumpet method book.


“Paradox, Ambiguity, and Irony”


 


 

 



The recordings heard on this podcast episode:



 

mood indigo

High Life (LP: “Mood Indigo” RCA ADL2-0152)

Recorded 16 January 1929 in New York City

Arthur Whetsel, Bubber Miley, Freddie Jenkins – trumpets; Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds;  Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums, chimes.


elling_duke_complete1_101b

Rose Room (CD: “The Complete 1932-1940 Brunswick, Columbia and Master Recordings of Duke Ellington and his Famous Orchestra” Mosaic Records #248)

Recorded 11 February 1932, New York City

Arthur Whetsel, Cootie Williams, Freddie Jenkins – trumpet; Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums.

Clarinet Lament (CD: “The Complete 1932-1940 Brunswick, Columbia and Master Recordings of Duke Ellington and his Famous Orchestra” Mosaic Records #248)

Recorded 27 February 1936 in New York City

Arthur Whetsel, Cootie Williams, Rex Stewart – trumpets; Lawrence Brown, Joe Nanton, Juan Tizol – trumpets; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Hayes Alvis – bass; Sonny Greer – drums.

Prologue to Black and Tan Fantasy/The New Black and Tan Fantasy (CD: “The Complete 1932-1940 Brunswick, Columbia and Master Recordings of Duke Ellington and his Famous Orchestra” Mosaic Records #248)

Recorded 13 January 1938 in New York City

Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins – trumpet; Lawrence Brown, Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Billy Taylor, Hayes Alvis – bass; Sonny Greer – drums.


 

small groups

Caravan (CD:”The Complete 1936-1940 Variety, Vocalion and Okeh Small Group Sessions” Mosaic Records #235)

Recorded 19 December, 1936 in Los Angeles

Cootie Williams – trumpet; Juan Tizol – valve trombone; Barney Bigard – clarinet; Harry Carney – baritone sax; Duke Ellington – piano; Billy Taylor – bass; Sonny Greer – drums.


Highlights

Are You Sticking? (CD: “Highlights of the Great 1940-1942 Band” Avid AMSC1143)

Recorded 5 June 1941, Los Angeles

Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.


fabulousBojangles/Rose Room (CD: “The Fabulous Ellingtonians” Mercury 830 926-2)

Recorded 5 February 1945 in New York City

Barney Bigard – clarinet; Joe Thomas – trumpet; Johnny Guarnieri – piano; Billy Taylor – bass; Cozy Cole – drums.


armstrong ellington

In A Mellow Tone/The Beautiful Americans (CD: “The Complete Louis Armstrong & Duke Ellington Sessions” Roulette Records / Blue Note 5245462)

Recorded 3 April 1961, New York City

Louis Armstrong – trumpet, vocal; Trummy Young – trombone; Barney Bigard – clarinet; Duke Ellington – piano; Mort Herbert – bass; Danny Barcelona – drums.


rugged jungle

Rose Room (CD: “Rugged Jungle” Lost Secret LSR-001)

Recorded 8 July 1972 at Carnegie Hall, New York City

Cootie Williams, Mercer Ellington, Harold “Money” Johnson, Johnny Coles – trumpet; Tyree Glenn, Vincente Prudente, Chuck Connors – trombone; Barney Bigard, Russell Procope, NorrisTurney, Harold Minerve, Harold Ashby,  Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Joe Benjamin – bass; Rufus Jones – drums.


clarinet gumbo


Mood Indigo
(LP: “Clarinet Gumbo” RCA APL1-1744)

Recorded 25 June 1973 in Hollywood, California

Barney Bigard – clarinet; Dick Cary – piano; Dave Koonse – guitar; Eddie Safranski – bass; Nick Fatool – drums.


0000120517

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.